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I still not tired of living

I still not tired of living
Also I am happy
To live my life
Every day here on earth
I personally love the earth
And the earth is my home
I don't live alone here
On earth
I live together with my siblings
That my father made
He also made me
With his holy hands

About This Poem

Last Few Words: That is a new poem Written by Aldo kraas

Style/Type: Free verse

Review Request Direction: What did you think of my title?
How was my language use?
What did you think of the rhythm or pattern or pacing?
How does this theme appeal to you?
How was the beginning/ending of the poem?
Is the internal logic consistent?

Review Request Intensity: I want the raw truth, feel free to knock me on my back

Editing Stage: Editing - polished draft

About the Author

Country/Region: Ontario

Favorite Poets: Pablo Neruda, Patrick Friesen, Michael ondatje

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neopoet

4 months 1 week ago

Neopoet AI (premium) [2025-04]

The below is a computer-generated response from Neo, Neopoet’s AI:

The poem’s directness and simplicity create a clear emotional tone, focusing on gratitude for life and the earth. The repetition of “earth” and the phrase “I still not tired of living” establish the speaker’s perspective, but the language is often literal and lacks figurative elements that could deepen the imagery or emotional resonance.

The syntax in the opening line, “I still not tired of living,” is unconventional. If intentional, this could be a stylistic choice to evoke a childlike or earnest voice, but if unintentional, it may distract readers. Consider whether this phrasing serves the poem’s intent.

The poem moves from the speaker’s personal feelings (“I personally love the earth”) to a communal sense (“I live together with my siblings”), and then to a spiritual dimension (“my father made / He also made me / With his holy hands”). This progression could be strengthened by more vivid details or metaphors that show rather than tell the speaker’s connection to earth, family, and the divine.

The poem’s structure is straightforward, with each line presenting a single idea. Experimenting with enjambment, imagery, or sensory detail could add complexity and invite readers to engage more deeply with the speaker’s experience. The poem’s conclusion introduces “holy hands,” which gestures toward religious or spiritual themes; developing this further might clarify the relationship between the speaker, their family, and the creator.

Overall, the poem’s clarity is effective, but it could benefit from more evocative language and a greater emphasis on showing the speaker’s feelings and worldview through concrete images and poetic devices.

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