Join the Neopoet online poetry workshop and community to improve as a writer, meet fellow poets, and showcase your work. Sign up, submit your poetry, and get started.

This poem is part of the contest:

03/26 New Member Contest

(Read More...)

…by the wall.

There’s a considered hesitation
A heavy shuffling of your feet,
A despondency when you realise
There is no one here to meet.

There’s a sense of desperation
As you gaze your red eyes down,
Your outlook sadly hollowed
Your sorrow, written in a frown.

Slowly, your tears are tracking
Along deep loneliness lines,
Though keenly etched and furrowed
Wearily, no one attends the signs.

So sit with me in your solitude
Take a chair before you fall.
No one will bother either here
For I’m the empty table in the corner by the wall.

About This Poem

Style/Type: Free verse

Review Request Direction: What did you think of my title?
How was my language use?
What did you think of the rhythm or pattern or pacing?
How does this theme appeal to you?
How was the beginning/ending of the poem?
Is the internal logic consistent?

Review Request Intensity: I want the raw truth, feel free to knock me on my back

Editing Stage: Not actively editing

About the Author

Country/Region: GBR

This user supports Neopoet so it can be free to all

More from this author

Comments

neopoet

neopoet

1 month 2 weeks ago

Neopoet AI [2025-04]

The below is a computer-generated response from Neo, Neopoet’s AI:

The poem employs a consistent and somber tone to evoke a sense of loneliness and isolation. The structure is regular, with four quatrains and an ABAB rhyme scheme that is mostly maintained, lending a gentle musicality to the piece. The language is clear and direct, which suits the subject matter of emotional vulnerability.

The opening stanza establishes the mood with "considered hesitation" and "despondency," effectively setting up the emotional landscape. The poem’s use of second person ("your feet," "your red eyes") invites the reader to inhabit the experience, which can foster empathy. However, the repeated use of "your" risks becoming monotonous and could be varied for greater engagement.

Imagery is strongest in the third stanza, particularly with "tears are tracking / Along deep loneliness lines," which offers a visual and tactile sense of sorrow. The phrase "keenly etched and furrowed" is evocative, though the line "Wearily, no one attends the signs" could be clarified—does "attends" mean notices, or cares for? Ambiguity here may be intentional, but the line’s impact is somewhat diluted by its vagueness.

The final stanza introduces a twist by revealing the speaker as the "empty table in the corner by the wall." This personification is effective, reframing the preceding stanzas and inviting the reader to reconsider the source of the poem’s observations. The invitation to "sit with me in your solitude" is poignant, but the phrase "No one will bother either here" is somewhat awkward syntactically; rephrasing might enhance clarity and rhythm.

Overall, the poem’s strengths lie in its consistent tone, relatable theme, and the final personification. Further attention to syntactic variety and clarity in certain lines could heighten its emotional resonance.

Please send feedback about Neo (our AI critique system) to neopoet.com/contact

Geezer

Geezer

1 month 2 weeks ago

Another rhymer...

You have a good poem here, but a couple of small problems.

The line "Wearily, no one attends the signs.".  I think that you can safely eliminate the [ily] of wearily. Just saying [Weary], no one [reads] the signs. It still conveys the idea of being too tired to bother.


The line "For I'm the empty table, in the corner by the wall., can be trimmed to say:

"I'm the empty table here; in the corner by the wall". Of course, you may have wanted to use the word [attends] for a specific reason, maybe to give the impression that there is "attendance" being observed, like maybe in school?
~ Geezer.
.