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Getting a Villanelle to Jell
Getting a Villanelle to Jell
My interest was piqued when Neo announced the next contest was to be a villanelle. I had often heard of the form but never tried one. It seemed way too confining and secondly it seemed to require too much of the reader. I had read Dylan Thomas’ poem “Do Not Go Gentle” many times and loved it but never knew it was a villanelle. So, since this discovery, I have been practicing villanelles and will share some of my tries.
Here are some of my first impressions of the art.
- The choice of the first and third line in the first stanza are very important, obviously since they will repeat throughout the rest of the poem.
- These two lines should be related also obviously.
- The second (third by count) line should logically follow the first in some way. Such as a problem and resolution or a generality and a detail, or a cause and a result, or a statement and its complement, etc.
- These lines should be dramatic to carry their repetition through the rest of the poem with continuing interest.
- Dylan even linked the repeating lines into a sentence started in the line before; very hard to do. The second stanza, last two lines is an example: “Because their words had forked no lightning they/ Do not go gentle into that good night.”
- Another obvious: Since there are only two rhymes in the poem both have to have a lot of possibilities.
- The task of this form is to maintain the flow of meaning at the same time as accomplishing the rhyme.