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Atonement (eddy styx)

Sitting alone at the bar,
half full bourbon glass
at finger tips reach...
this was his service of "mass"

Rosary in other hand,
too many years gone
from choirboy days,
yet, he remembered the song.

Throw back the brown liquid fire,
"forgive me Father
seeking redemption
for many sins erasure...

Made ruin, a young girl's life,
leaving her alone
gravid with my child
indifferent to her moan.

Unable to bear stigma
she took her own life,
with few choices left
I'd not make of her a wife.

They dragged the river bottom
drowned body found.
Dredged up on the shore
mortal sin... she is Hell bound!

Now I sit with my bottle
giving little ease
quietly praying,
won't you hear my abject pleas?

how do I seek penance
for my part in this?
If I'd only known!
it started with just a kiss..."

About This Poem

Last Few Words: written 04-18-2025 more styx notepad

Review Request Direction: What did you think of my title?
How was my language use?
What did you think of the rhythm or pattern or pacing?
How does this theme appeal to you?
How was the beginning/ending of the poem?

Review Request Intensity: I want the raw truth, feel free to knock me on my back

Editing Stage: Editing - draft

About the Author

Region, Country: Northwestern Wisconsin USA, USA

Favorite Poets: Edgar Allan Poe, William Blake, Bob Dylan, Tom Petty, Carlos Castaneda, Jim Morrison, the whole of Neopoet and many more.

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Comments

neopoet

neopoet

2 months 1 week ago

Neopoet AI (Premium) - version 3.0

The below is a computer-generated response from Neo, Neopoet's computer artificial intelligence:

The poem addresses heavy themes of guilt, remorse, and the search for redemption, which are significant and emotionally charged topics. Here are some areas that could benefit from further attention and revision:

1. **Consistency in Tone and Language:**
The poem alternates between formal, religious language ("rosary," "Father," "penance") and more casual or colloquial expressions ("throw back the brown liquid fire," "gravid," "just a kiss"). While mixing registers can be effective, here it creates some unevenness. Consider choosing a consistent voice or clearly delineating the shifts to enhance coherence.

2. **Imagery and Detail:**
Some images, such as "brown liquid fire," feel somewhat generic or predictable. More original, vivid imagery could help deepen the reader's emotional connection to the speaker's internal struggle. Consider exploring more nuanced or unexpected metaphors to convey the speaker's torment and guilt.

3. **Characterization and Perspective:**
The speaker's remorse is clear, but the poem does not fully explore the complexity of the speaker's moral responsibility. The phrase "If I'd only known! it started with just a kiss..." risks trivializing the gravity of the actions described earlier. Consider whether this line adequately captures the speaker's accountability or whether it might unintentionally diminish the seriousness of the narrative.

4. **Rhythm and Meter:**
The poem's rhythm is somewhat uneven, and the rhyme scheme occasionally feels forced ("mass"/"glass," "Father"/"erasure"). Consider revising lines to achieve smoother meter and more natural rhymes, or consider using free verse if rhyme and meter constraints are limiting the poem's emotional impact.

5. **Handling Sensitive Themes:**
The poem touches on sensitive subjects such as suicide, pregnancy, and moral judgment. It is important to approach these topics with care and depth. Currently, the poem presents the woman's tragedy primarily as a catalyst for the speaker's guilt. Consider whether the poem could benefit from a more nuanced portrayal of her experience and perspective, even indirectly, to avoid reducing her role to merely a source of the speaker's remorse.

Overall, the poem would benefit from deeper reflection on imagery, language consistency, and the ethical implications of the narrative perspective.

Please send feedback about Neo (our computer generated critique system) to https://www.neopoet.com/contact

Frederick Kesner

Frederick Kesner

2 months 1 week ago

The last line is like a

The last line is like a magnifying lens through which the whole unfolding tale is amplified and it’s depth given contours and range. Exquisitely put together. :)

Candlewitch

Candlewitch

2 months 1 week ago

crypticbard,

I am always happy to get a comment from you as you have something worth while to say! Thank you!

fondly, Cat

Candlewitch

Candlewitch

2 months ago

:)

It is so very good to have you back!!!

very fondly, Cat

Ruby Lord

Ruby Lord

2 months 1 week ago

Hi Cat, you’ve got the bones

Hi Cat, you’ve got the bones of a powerful piece here. The use of religion, social stigma, the bourbon as sacrament, the rosary and the weight of mortal sin, builds layers of atmosphere. You also raise a quandary. When suicide is labelled a mortal sin, and stigma pushes someone to act that way, what kind of god are we dealing with? The religion I was taught had no answer for that, and this poem brings the contradiction into the light. Thank you for sharing, Ruby xx

Candlewitch

Candlewitch

2 months 1 week ago

Dear Ruby,

You have cut through the ritual in my poem, getting right down to what my poem is about! I am thrilled by your critique... many thanks!

very fondly, eddy styx and cat

Candlewitch

Candlewitch

2 months ago

Dearest Ruby,

many thanks, my friend and Lady! It is appreciated!

Happily (a rare thing) eddy styx

Unca Fez

Unca Fez

2 months ago

Where Is The Love?

This poem, with its powerful images and references, brings to the fore a question that has always plagued me: Where is the love in a religion that can cause so much pain? It seems to me that the original message must have been lost in the re-telling and replaced with anger, hate, and fear. It is no wonder there are so many who do not identify with it.

Candlewitch

Candlewitch

2 months ago

Dearest,

there is love, but it is convoluted and comes with a price (your soul and constant devotion) and yes...the last line...Judas' kiss!

thank you, your Cat