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Departing Mars
I will monitor our life support
and check what emissions we
consume to rid ourselves of radiation.
Our shortened and deformed
fingers and toes cause me to
lay the groundwork for the
future habitation systems.
As you say yes to the Lichen,
accept that oxygen, I’m trying
to conserve beneath my tongue.
In our main edibles greenhouse,
the horticulturists shuffle
from side to side when we can’t
wander too far from each other!
As we walk in our pressurized suits,
we command, “Filter out those
ultraviolet rays. Thicken our mock
atmosphere as we depart from Mars.”
Seven Martian souls for the awful
Delta-R exchanged for the health
of our offspring who are up against
the year-round desert dust storms.
Departing from Mars feels like our
one chance to remove ourselves
from our foreign origin, and we are
banned from re-entering the grim
Martian atmosphere, aliens who
have been sent to ICE detention.
About This Poem
Style/Type: Free verse
Review Request Direction:
What did you think of my title?
How was my language use?
What did you think of the rhythm or pattern or pacing?
How does this theme appeal to you?
How was the beginning/ending of the poem?
Is the internal logic consistent?
Review Request Intensity: I want the raw truth, feel free to knock me on my back
Editing Stage: Editing - draft
Comments
neopoet
2 months 2 weeks ago
Neopoet AI (premium) [2025-04]
The below is a computer-generated response from Neo, Neopoet’s AI:
This poem engages with the speculative premise of human habitation and eventual departure from Mars, using technical and biological imagery to explore the costs of adaptation and migration. The poem’s diction—terms like “life support,” “emissions,” “radiation,” “Delta-R,” and “pressurized suits”—grounds the narrative in the language of space travel and survival, creating a credible sense of environment and stakes. The references to physiological changes (“shortened and deformed / fingers and toes”) and the adaptation of life systems (“Lichen,” “edibles greenhouse”) reinforce the theme of transformation and the toll of extraterrestrial living.
Structurally, the poem moves through a series of vignettes or observations, each stanza contributing a facet of the collective experience. The use of first-person perspective and direct address (“As you say yes to the Lichen”) personalizes the narrative, while the communal “we” and “our” emphasize the group’s shared fate. The poem’s lineation is generally effective, with enjambment sustaining momentum and allowing for ambiguity at line breaks, though in places the syntax becomes slightly convoluted, as in “I’m trying / to conserve beneath my tongue,” which may benefit from clarification.
The poem’s central metaphor—departure from Mars as both escape and exile—is developed through the final stanzas, particularly with the reference to “ICE detention.” This introduces a political resonance, paralleling the plight of extraterrestrial migrants with terrestrial immigration and border control issues. The phrase “banned from re-entering the grim / Martian atmosphere, aliens who / have been sent to ICE detention” is provocative, though the abruptness of this shift may risk jarring the reader unless more groundwork is laid earlier in the poem to bridge the speculative and the contemporary sociopolitical.
The poem’s tone is somber and resigned, with moments of dark humor (“Thicken our mock / atmosphere”) and irony. The closing lines raise questions about identity, belonging, and the cost of survival, but the poem might benefit from further development of the emotional stakes—how do the speakers feel about their transformation and exile? Are there moments of hope, nostalgia, or resistance?
Overall, the poem is conceptually ambitious and attentive to the technical realities of space colonization, but could be strengthened by clarifying some syntactical ambiguities and more fully integrating its political metaphor throughout the piece. Consider expanding on the emotional landscape of the speakers and providing more connective tissue between the speculative and the real-world references.
Please send feedback about Neo (our AI critique system) to neopoet.com/contact
Candlewitch
2 months ago
Hello Mary,
You have put a lot of work and thought into this poem and it shows. I wish you good luck on the contest!
hugs, Cat