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The Girl Who Didn't Exist: DRAMATIC VERSE WS
(In the early morning hours, Sasha emerges from her captor’s home/prison. This was several days after one of her alter-egos reared its ugly head and ended the immediate hell they were facing. She had spent those last few days in the house watching the body of her kidnapper rot in a mess of his own dried blood until she could take it no more. “Rescued” as an infant and held in a single locked room, with no one else around but herself and the old man who had taken her, this was her first exposure to the outside world. It had been twenty years since she was left underneath the old street light, where her torment began. She had been taunted, tortured, physically/sexually/emotionally abused in ways only our nightmares could make us understand. The old man, he would never tell her his name for fear she may escape and tell the authorities, would dress her in his former lover’s clothing and makeup, then raped her in the very bed he and his girlfriend used to make love in. Sasha had cleaned herself up, first time she had taken a shower without him watching, dressed in the very clothes she hated as those were the only ones available and stepped out onto the lopsided front porch for the first time, addressing her first impressions of the world she had been hidden from out loud.)
SASHA: Freedom was nothing like I imagined
took me days to find the courage to leave.
Watched his body rot ‘til the stink drove me out,
the sun it burned my eyes.
SASHA: I was a vampire, figuratively speaking,
had barely seen the light.
NEVERMORE: Until I kicked your weak ass out of the way
SASHA: Will you hush, this isn’t your story to tell!
SASHA: Made my way into town, so many unfamiliar faces.
The one face I knew, I didn’t know where to find.
NEVERMORE: I told you just to ask
SASHA: Shut up, you did not! You pain in the ass.
SASHA: I brought the picture from the house,
had to finish what he started.
For twenty years, I suffered in her name
,
NEVERMORE: And in her clothes, and in her makeup, and in her bed…
SASHA: Enough already, no one was talking to you!
NEVERMORE: Why don’t you let me take over
Your story is lame
Skip to the good parts
Where I wouldn’t let you die in vain
SASHA: I didn’t ask for you, you just appeared!
No one told you to save me!
No one told you my life was to be spared!
Now will you just get out of my head!
NEVERMORE: Oh, Sasha, you really are a drag,
why don’t you tell them
how things got started.
Tell them how I ended things
with the now dearly departed?
SASHA: Oh go on if you must,
I must look ridiculous arguing with myself.
You took the knife from his hand
Stabbed him in the gut
Not once, not twice
But OVER and OVER AGAIN!
NEVERMORE: Ah yes, the blood it spattered
Sprayed against the wall and the dressers
His screams stifled by the gurgles
Such pleasure we received
Watching him writhe in pain (giggles)
SASHA: I had every advantage
no birth certificate, no prints on file.
I had been a prisoner
kept from the world.
Other than the old man,
I had never spoken to another.
He called me Sasha,
but was that really my name? .
No identity to speak of,
The evidence was moot
(dramatic sigh)
And so I sought her out,
that selfish bitch.
NEVERMORE: Vowed to make her suffer
SASHA: Just like we did.
Now if I could only find
Where in the hell she hid.
About This Poem
Last Few Words: All, please see revisions, still playing with this Advanced Format
Style/Type: Free verse
Review Request Intensity: I want the raw truth, feel free to knock me on my back
Editing Stage: Editing - rough draft
Comments
lovedly
10 years 9 months ago
you all are monumental in your poetry ...like pyramids of GAZA
how glad I am to know
that Snowman has cared to bring
so many so close
I will yield to each one of you
as I read your lovely verse
hark!
upon burning coal I traverse
as I digest all yours
verse by verse.
Charming poetry yours
Loved
lonlyhrtsclub13
10 years 9 months ago
lovedly
Thank you. I am glad you read and approved.
raj
10 years 9 months ago
Carrie
I liked the drama played out by the two characters. However, if someone doesn't read the prelude to this, I feel it would be difficult for them to know about the background of "her" as the one who was made to look like a girl by "him". That's my perspective. I think one can put up a link at the top of the poem so that the readers can first get to the prelude to understand the background and characters.
Regards,
wesley snow
10 years 9 months ago
I sort of agree with Raj,
but I would prefer you clarify the voices here and not send us elsewhere.
This works as dramatic verse. Two voices even if the same person. On stage I would likely have two actors dressed alike playing the two parts.
I would have liked to see the voices "titled" though. The name of each character above their next line, but that of course is not necessary. The problem is simply that it does not "look" like a script.
Congratulations on figuring out AF.
alidzain
10 years 9 months ago
hi carrie
This looks like the middle of a story instead of a beginning. Dramatic wise, no problem there, but I got confused with the voices. Who is who? What really happen that led to this? Sorry kinda confused here.
Alid
alidzain
10 years 9 months ago
Hi Carrie
Now this makes more sense. Thank you for sharing.
Alid
lonlyhrtsclub13
10 years 9 months ago
Alid
This is new to me, writing in script form so I wasn't sure how it was supposed to look or sound. Thank you for your suggestions as well as the others. I thought this looked much better as well. I have to work on the monologue some but now I can move forward with the play :)
Barbara Writes
10 years 9 months ago
I found you
I'll be back when I'm feeling better to give you the best critique. Not the gibbering I been giving last night.
lonlyhrtsclub13
10 years 9 months ago
I look forward to it
I think this looks better and is less confusing then the original post. This is a very new style for me and I know I took a difficult approach putting 2 voices into one person...there are more than 2 voices but we will see the next one later on in the play. I have to say this is more fun than trying to come up with the perfectly structured poem.
wesley snow
10 years 9 months ago
Now this works as a play.
Clearly separated, the voices come through. It matters not that they are the same "person" for they are different voices.
Much better.
lonlyhrtsclub13
10 years 9 months ago
thank you
Read part 2 when you have a free moment. .I have put alot of thought into this
scribbler
10 years 9 months ago
Hi Carrie
The dual personality thing is pretty good. I'd never have thought of it but stan might have lol. This Does read like a play but for some reason I fail to see much poetic about it. But then I expected a bit more poetic devices since I usually use them a lot. Gonna be interesting to see where this goes.......scribbler....stan----scribbler?
lonlyhrtsclub13
10 years 9 months ago
scribbler
I am messing around a bit with the dual personality. Meter has never been a strong point for me. .I fail on all levels but if I can give you a good script to read, I guess I at least accomplished something. I am very much involved with my character and hoping to do more with this. Stay tuned.
scribbler
10 years 9 months ago
you
"failed" in no level. Indeed this reads as good poetic prose in my opinion. It has good imagery ans even some assonance here and there........stan
lonlyhrtsclub13
10 years 9 months ago
Thank You Stan
I am glad you are enjoying this. I hold your opinion and critique in high regard and am glad that this works for you. I am terrible with meter and strict structure, so poetic prose works for me. Perhaps I should work on scripts more often. :)
Ian.T
10 years 9 months ago
Carrie
The mixture of the two personalities is good, and Nevermore must become the dominant one, if ole softy gets the lead then the story will go to sleep.
I tried in my piece to let Grampy lose his rag and start off to go out and do some bad things, but the silly man fell over, spent a few days in hospital and then managed to get himself killed by his grandson.
I know the characters in your story, so can follow what is going on, others may not be able to see the whole thing.
Take care little one, little one, little one, have a great evening, Yours Ian.
lonlyhrtsclub13
10 years 9 months ago
ian
The monologue introduces the characters slowly. The second and third voice are coming out now. Stay tuned....
wesley snow
10 years 9 months ago
I have to agree with Stan.
This is borderline prose. I hate to use the "m" word around you, but a little more poetic rhythm would have helped this immensely. It reads too much like a straight script than poetry. I wouldn't try to fix this though as that would mean tearing it down completely and I think your time is better spent writing anew and focusing on a little... um... meter.
You mentioned a part two, so I will go search it out.
lonlyhrtsclub13
10 years 9 months ago
meter
You know I suck at it...at least I have introduced an interesting concept w the multiple personalities and it may turn out to be a damn good script.
Barbara Writes
10 years 9 months ago
Hey
I'm still under the weather been taken powerful meds to sleep pass the nightmares. I'm here though.