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psycho gentle game
psy
psycho
I am psycho too
I`m psycho too
I am psycho three trees far away
never forget what you done and my way
I am psycho four streets that carry me and my blood
I`m psycho ten by ten anyway
psy
I am psycho alone or in multiverse
I`m psycho too with gratitude for madness reverse
I`m psycho for rembrand`s lesson of anatomy
I`m psycho in love for my lobotomy
never alone in me mind or my soul
forever twice in me thoughts or my ghouls
psy
psycho killer dismembered happy with no friends
psycho killer disturbed wisdom and love with no hands
no dark no embrace no organism to claim
psycho drama forever remains
in picasso`s watches our love turn coil
our feet in blue never touch the soil, because
our psycho killer never shut the eyes
our psycho killer ever cries the sky
I always seen in dreams a love with a gun in her hand
shutting on me, twice in the heart, once in the head
our psycho killer never shut the eyes
our psycho killer ever cries the sky
I always seen in dreams a love with a gun in her hand
shutting on me, twice in the heart, once in the head
About This Poem
Review Request Intensity: I want the raw truth, feel free to knock me on my back
Editing Stage: Editing - polished draft
Critiques
neopoet
1 week 2 days ago
Neopoet AI (premium) [2025-04]
The below is a computer-generated response from Neo, Neopoet’s AI:
This poem explores the theme of madness and identity through repetition, surreal imagery, and references to art and violence. The structure is intentionally fragmented, mirroring the fractured psyche described in the text. The repetition of “psy” and “psycho” at the start of stanzas creates a chant-like rhythm, reinforcing the obsessive preoccupation with the concept of being “psycho.” The use of numbers (“psycho three trees far away,” “psycho four streets,” “psycho ten by ten”) introduces a sense of progression or escalation, though the logic is associative rather than linear.
The poem’s voice oscillates between self-identification (“I am psycho too”) and broader, collective statements (“our psycho killer”), suggesting a blurred boundary between self and other, individual and collective madness. References to Rembrandt’s “Lesson of Anatomy” and Picasso’s “watches” introduce art historical allusions that deepen the exploration of the body, perception, and time, though these references are somewhat cryptic and might benefit from clarification or expansion to strengthen their connection to the poem’s themes.
The imagery is striking and often violent (“love with a gun in her hand / shutting on me, twice in the heart, once in the head”), which underscores the poem’s exploration of love, pain, and self-destruction. The repetition of the final stanza intensifies the sense of inescapable fate or recurring trauma.
Consider refining the language for clarity in places where the syntax becomes ambiguous (“never forget what you done and my way,” “forever twice in me thoughts or my ghouls”). The use of nonstandard grammar and spelling (“me mind,” “me thoughts”) adds a colloquial or destabilized tone, but if intentional, it could be made more consistent.
Overall, the poem effectively conveys a sense of psychological disturbance and emotional intensity through its structure, repetition, and imagery. To further strengthen the piece, consider clarifying some of the references and tightening the language to heighten the impact of the most vivid images.
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Geezer
1 week 2 days ago
Hey, may I call you Lenny?...
I found that the colloquial manner of speaking did add some bit of a layer to the piece, [I never seen and I always seen]. I do believe that I get the drift of two psycho killers, each trying to convince the other, that they are the baddest psycho on the planet. Is it [organism or orgasm]? [shutting or shooting]? Just a couple of little things, but they add up. ~ Geez.