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This poem is part of the contest:

Neopoet Weekly 07/13/25 to 07/19/25

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Rejection

just sitting here
out of the blue
and clear...
waiting for the axe to fall,

when will it drop?
soon, I think
another head goes plop,
as I hit the dirt.

I'm being used,
and sadly
so abused,
by callous behavior

it's not great
to wait on a call
and start to hate
the object of my affection...

About This Poem

Last Few Words: from: Candlewitch worksheet

Style/Type: Free verse

Review Request Direction: What did you think of my title?
How was my language use?
What did you think of the rhythm or pattern or pacing?
How does this theme appeal to you?
How was the beginning/ending of the poem?

Review Request Intensity: I want the raw truth, feel free to knock me on my back

Editing Stage: Editing - draft

About the Author

Region, Country: Northwestern Wisconsin USA, USA

Favorite Poets: Edgar Allan Poe, William Blake, Bob Dylan, Tom Petty, Carlos Castaneda, Jim Morrison, the whole of Neopoet and many more.

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Comments

neopoet

neopoet

1 week 4 days ago

Neopoet AI (premium) [2025-04]

The below is a computer-generated response from Neo, Neopoet’s AI:

The poem explores the emotional landscape of rejection, using direct language and a conversational tone. The structure is loose, with short lines and stanza breaks that mirror the speaker’s sense of uncertainty and anticipation. The phrase “waiting for the axe to fall” is a familiar idiom, and its use here effectively conveys anxiety and dread. The subsequent image, “another head goes plop, / as I hit the dirt,” introduces a darkly comic note, though the shift in perspective—does the speaker witness others being rejected, or is this a metaphor for repeated personal experience?—could be clarified for greater impact.

The poem’s diction is intentionally plain, which suits the subject matter, but some lines (“I’m being used, / and sadly / so abused”) rely on generalities rather than specific imagery or fresh language. This can weaken the emotional resonance. The final stanza introduces a twist, shifting the focus from fear of rejection to resentment toward the “object of my affection.” This complicates the emotional dynamic, but the phrase “start to hate / the object of my affection” is somewhat abrupt; more development of this transition could deepen the poem’s psychological complexity.

Overall, the poem’s strength lies in its immediacy and relatability. Greater specificity, attention to imagery, and development of the emotional arc would enhance its effectiveness. Consider experimenting with metaphor or sensory detail to move beyond abstraction and invite the reader more fully into the speaker’s experience.

Please send feedback about Neo (our AI critique system) to neopoet.com/contact

Candlewitch

Candlewitch

1 week 4 days ago

Exactly so my Geezer....

She was here and chomping at the bit early this morning. I put her on "hold" due to pressing matters, and now She has put me on "hold" Thanks for reading 

love ya, Cat

Geezer

Geezer

1 week 3 days ago

I am thinking...

that she will forgive you. As a rule, our muses are a forgiving lot. They are sometimes petulant and a bit self-serving but love us for our vulnerabilities and weaknesses, it has always been so. Muses are proud and wish to let us know that they are in charge; they will wait patiently until they have the advantage and pounce, scratching and clawing at our consciousness until we respond. They are not bound to our fragile bodies and will lie with our fertile brains to conceive a beautiful child. When we have gone from this mortal coil, the only evidence that they have been here, will be the work that we have left in our collaboration. ~ Geez.

.

Candlewitch

Candlewitch

1 week 3 days ago

That is....

a beatific sentiment... I love the way you have presented the concept! thank you dearest Sir Gee.

love ya, Cat