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05/26 New Member Contest

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Threshold, Mid August

There is a gate to a Zen garden in Boston.

Sweating, sore from walking, shirt sticking to my skin, I see it.

Large-framed, fine-grained, and wise. Walking through, into a blazing

white rock seascape, granite bridges,

wild rabbits. This is another green world.

A thin glass wall oasis in the fens.

Another chance to erase the news.

To set fire to my anger and frustration. To see

what’s good right now. Trees breathing their dreams into clouds.

The distant car horns turning into singing geese, honking in tongues.

The ache in my legs flowing south, through the bottoms of my shoes,

into the white rocks.   And somehow I finally see

I passed into a new time zone. My watch has stopped. All my grasping

exit’s the hair on my arms, standing up as if electrified, and my breath

turns into diamonds

in this ninety five degree heat

that is also a threshold

to a world close by

where the temperature is far below zero

and time stops forever

and this series of present moments

will be all the world contains of me.

— blackseamus5, May 14, 2026

About This Poem

Style/Type: Free verse

Review Request Direction: How was my language use?
Is the internal logic consistent?

Review Request Intensity: I want the raw truth, feel free to knock me on my back

Editing Stage: Editing - draft

About the Author

Country/Region: USA

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Critiques

neopoet

neopoet

4 days 4 hours ago

Neopoet AI [2025-04]

The below is a computer-generated response from Neo, Neopoet’s AI:

The poem skillfully explores the concept of threshold—both literal and metaphorical—using the entry into a Zen garden as a catalyst for transformation. The opening lines ground the reader in a specific, sensory reality: the heat, fatigue, and urban setting are tangible. The transition through the gate is marked by a shift in imagery and tone, moving from discomfort to a meditative, almost surreal state.

The poem’s strengths include its vivid sensory details ("shirt sticking to my skin," "white rock seascape," "trees breathing their dreams into clouds") and its effective use of juxtaposition: the oppressive heat outside versus the imagined coolness within, the noise of car horns morphing into "singing geese," and the movement from temporal awareness ("my watch has stopped") to a sense of timelessness.

There are moments where the poem’s syntax becomes dense, particularly in the lines "All my grasping / exit’s the hair on my arms, standing up as if electrified," which may benefit from clarification or rephrasing to enhance readability. The transition from the physical to the metaphysical is otherwise handled smoothly, with the motif of thresholds recurring in both setting and emotional state.

The poem’s ending is contemplative, suggesting that the experience of presence is both fleeting and eternal. This is reinforced by the image of "this series of present moments / will be all the world contains of me," which ties the personal transformation to a universal meditation on impermanence.

For further refinement, consider tightening some of the longer lines to maintain the poem’s momentum, and clarify any ambiguous phrasing that may distract from the overall flow. The poem’s imagery and thematic coherence are strong, and its structure effectively mirrors the journey from agitation to stillness.

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